The Civil Rights Movement: A Documentary Reader by
A new civil rights reader that integrates the primary source approach with the latest historiographical trends Designed for use in a wide range of curricula, The Civil Rights Movement: A Documentary Reader presents an in-depth exploration of the multiple facets and layers of the movement, providing a wide range of primary sources, commentary, and perspectives. Focusing on documents, this volume offers students concise yet comprehensive analysis of the civil rights movement by covering both well-known and relatively unfamiliar texts. Through these, students will develop a sophisticated, nuanced understanding of the origins of the movement, its pivotal years during the 1950s and 1960s, and its legacy that extends to the present day. Part of the Uncovering the Past series on American history, this documentary reader enables students to critically engage with primary sources that highlight the important themes, issues, and figures of the movement. The text offers a unique dual approach to the subject, addressing the opinions and actions of the federal government and national civil rights organizations, as well as the views and struggles of civil rights activists at the local level. Explores the civil rights movement and the African American experience within their wider political, economic, legal, social, and cultural contexts. Renews and expands the primary source approach to the civil rights movement Incorporates the latest historiographical trends including the "long" civil rights movement and intersectional issues. Offers authoritative commentary which places the material in appropriate context. Presents clear, accessible writing and a coherent chronological framework.
The civil rights reader : basic documents of the civil rights movement by 
For All the World to See: Visual culture and the struggle for civil rights by
A stunning visual history of the civil rights movement in America In 1955, shortly after Emmett Till was murdered by white supremacists in Mississippi, his grieving mother distributed to the press a gruesome photograph of his mutilated corpse. Asked why she would do this, she explained that by witnessing with their own eyes the brutality of segregation and racism, Americans would be more likely to support the cause of racial justice. "Let the world see what I've seen," was her reply. The publication of the photograph inspired a generation of activists to join the civil rights movement. Despite this extraordinary episode, the story of visual culture's role in the modern civil rights movement is rarely included in its history. This is the first comprehensive examination of the ways images mattered in the struggle, and it investigates a broad range of media including photography, television, film, magazines, newspapers, and advertising. These images were ever present and diverse: the startling footage of southern white aggression and black suffering that appeared night after night on television news programs; the photographs of black achievers and martyrs in Negro periodicals; the humble snapshot, no less powerful in its ability to edify and motivate.
Black Power Encyclopedia: from Black Is Beautiful to Urban Uprisings by
An invaluable resource that documents the Black Power Movement by its cultural representation and promotion of self-determination and self-defense, and showcases the movement's influence on Black communities in America from 1965 to the mid-1970s. Unlike the Civil Rights Movement's emphasis on the rhetoric and practice of nonviolence and social and political goal of integration, Black Power was defined by the promotion of Black self-determination, Black consciousness, independent Black politics, and the practice of armed self-defense. Black Power changed communities, curriculums, and culture in the United States and served as an inspiration for social justice internationally. The entries examine the key players, organizations and institutions, trends, and events of the period, enabling readers to better understand the ways in which African Americans broke through racial barriers, developed a positive identity, and began to feel united through racial pride and the formation of important social change organizations. The encyclopedia also covers the important impact of the more militant segments of the movement, such as Malcolm X and the Nation of Islam and the Black Panthers.
1968 by
On the 50th anniversary of that tumultuous year, cultural historians Robert Cottrell and Blaine T. Browne provide a well-informed, up-to-date synthesis of the events that rocked the world, emphasizing the revolutionary possibilities more fully than previous books. For a time, it seemed as if anything were possible, that utopian visions could be borne out in the political, cultural, racial, or gender spheres. It was the year of the Tet Offensive, the Resistance, the Ultra-Resistance, the New Politics, Chavez and RFK breaking bread, LBJ's withdrawal, student revolt, barricades in Paris, the Prague Spring, communes, the American Indian Movement, the Beatles' "Revolution," The Population Bomb, protest at the Miss America pageant, and Black Power at the Mexico City Olympics. 1968 was also the year of My Lai, the assassinations of Martin Luther King, Jr. and Robert F. Kennedy, Warsaw Pact tanks in Czechoslovakia, the police riot in Chicago, the Tlatelolco massacre, Wallace's American Independent Party campaign, "Love It or Leave It," and the backlash that set the stage, at year's end, for Richard Milhous Nixon's ascendancy to the White House.
Black Power Beyond Borders: The Global Dimensions of the Black Power Movement by
This groundbreaking volume examines the transnational dimensions of Black Power - how Black Power thinkers and activists drew on foreign movements and vice versa how individuals and groups in other parts of the world interpreted 'Black Power,' from African liberation movements to anti-caste agitation in India to indigenous protests in New Zealand.
Race, Culture, and the Revolt of the Black Athlete: The 1968 Olympic protests and their aftermath by
Ever since 1968 a single iconic image of race in American sport has remained indelibly etched on our collective memory: sprinters Tommie Smith and John Carlos accepting medals at the Mexico City Olympics with their black-gloved fists raised and heads bowed. But what inspired their protest? What happened after they stepped down from the podium? And how did their gesture impact racial inequalities? Drawing on extensive archival research and newly gathered oral histories, Douglas Hartmann sets out to answer these questions, reconsidering this pivotal event in the history of American sport. He places Smith and Carlos within the broader context of the civil rights movement and the controversial revolt of the black athlete. Although the movement drew widespread criticism, it also led to fundamental reforms in the organizational structure of American amateur athletics. Moving from historical narrative to cultural analysis, Hartmann explores what we can learn about the complex relations between race and sport in contemporary America from this episode and its aftermath.
Silent Gesture: Autobiography of Tommie Smith by
At the 1968 Olympics in Mexico City, Tommie Smith and his teammate John Carlos came in first and third, respectively, in the 200-meter dash. As they received their medals, each man raised a black-gloved fist, creating an image that will always stand as an iconic representation of the complicated conflations of race, politics, and sports. In this, his autobiography, Smith fills out the story around that moment--how it came to be and where it led him.
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